You could call it a wedding, but that would be too clean, too sterile, too Pinterest-perfect for what actually happened. What I witnessed in Lagos, on the edge of a cliff that fell into the hungry mouth of the Atlantic, was something closer to cinema. Two days of love turned into performance art, stitched together with champagne, Leica shutters, salt air, and the crackling tension of a world at war.

Anastasia — Ukrainian, radiant, stubbornly alive in a city where sirens dictate the rhythm of daily life. David — son of Ukrainian emigrants, raised on American highways, who abandoned convenience and comfort to move to Kyiv with nothing but love, grit, and the belief that you don’t run from fire if your heart is inside it. Together, they are a cosmopolitan paradox: modern and elegant, but raw enough to still smell of the underground shelters where they wait out air raids.

The Venue

Their wedding wasn’t about symmetry or floral centerpieces. Day one unfolded inside a private villa, perched on a cliff like some Mediterranean fever dream. Imagine glass walls, wild Atlantic winds, a space humming with artful restraint. No kitsch, no pastel vomit. Just lines, shadows, and the electricity of a couple who understand the difference between a photograph and an image that feels alive.

Day two we drove straight into myth. The Arco de Albandeira, stone archway carved by centuries of ocean rage, became a cathedral without pews. Salt spray replaced incense. And there they stood — lovers in couture and chaos, framed by a brutal horizon that devoured the sky.

Me and My Leica

I don’t photograph weddings like a service; I photograph them like they’re part of a larger archive, the kind that outlives the couples themselves. My background in fashion and advertising taught me control, but I’ve learned to burn holes in that control with light leaks, with shadows that misbehave, with analog cameras that cough up grit and imperfection like poetry. My Leicas are extensions of my lungs — every frame is an inhale/exhale, a scream/silence, a yes/no. I chase chiaroscuro. I drown in grain. I’m not interested in pretty pictures; I’m interested in scars that look beautiful under the right light.

This gallery is not for everyone. It’s not sugar-coated. It’s not the stuff of wedding magazines with manicured cover girls selling you an ideal. It’s closer to Vogue colliding with Vivienne Westwood in a smoke-filled nightclub. It’s Nadia Lee Cohen whispering in the darkroom. It’s punk dressed as romance, or maybe romance stripped down to its punk bones.

For Anastasia and David

It had to be this way. Their love story isn’t a polite handshake, it’s a fistfight with destiny. And when you live under bombardments and still choose to marry on a cliff in Portugal, you don’t deserve clichés. You deserve grain. You deserve shadows. You deserve an image that howls back at the storm.